Genevieve Waller (she/her) is an artist and scholar who creates photograms (cameraless photographs), sculpture, installations, and drawings that deal with excess, substitution, transparency, and the status of everyday objects. She researches and writes about the aesthetic of camp, the history of LGBTQ+ culture, film, modern and contemporary art, and popular music. Originally from Wichita, Kansas, she received a B.A. in art history from Wichita State University, an M.F.A. in photography and art history from Ohio University, and an M.A. in visual and cultural studies from the University of Rochester. She spent a year in Berlin, Germany as a Fulbright grantee and for many years has been a college radio DJ. Currently, she resides in Denver, Colorado where she is the founder and editor of the art journal DARIA: Denver Art Review, Inquiry, and Analysis, in print three times per year and online at dariamag.com.

Southwest Contemporary: The Unholy Ecstasy of Black Mass Blood Ritual

Westword: 100 Colorado Creatives 4.0: Genevieve Waller

HuffPost: Catholic University In Kansas Cancels Art Exhibit Meant To Celebrate Queer Creativity

Colorado Public Radio: Denver Artist’s ‘Queer History’ Exhibition Gets New Home After Catholic University Cancels It